Jay Gubula

There Are Only So Many Tomorrows Jay Gubula

Two men in 1980s Pietermaritzburg are drawn to the same woman, Abby, quickly becoming each other?s nemesis in a political climate where resistance of any kind often invited executions, factional clashes, clandestine activity, treachery and entrapment. Abby unwittingly becomes the object of a dangerous obsession as the archenemies, not content with displacing the other in her affections, play to ensure the other?s annihilation, none foreseeing the theatre their deadly encounter would be staged, culminating in a clash that potentially destabilizes the entire region and, for one of them, leaves a lasting legacy of shattered hopes, broken dreams, a life destroyed.