Hugo

Publisher Marketing: Excerpt from Hugo: A Fantasia on Modern Themes He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat, ' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a switch, and in front of him at a distance of thirty feet the ivory dial of a clock became momentarily visible under the soft yellow of a shaded electric globe. It was fifteen minutes past six. At the same moment a bell sounded the quarter in delicate tones, which fell on the ear as lightly as dew. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Contributor Bio:  Bennett, Arnold Enoch Arnold Bennett, the son of a solicitor, was born in Hanley, Staffordshire in 1867. He was educated locally and at London University, before working initially as a solicitor s clerk, but soon turned to writing popular serial fiction and editing a women s magazine. After the publication of his first novel, A Man from the North in 1898 he became a professional writer and some of his best and most enduring and acclaimed work, including Anna of the Five Towns, The Old Wives' Tale, Clayhanger, The Card and Hilda Lessways followed over the next twelve years. Soon after the outbreak of the First World War, Bennett was invited to join the War Propaganda Bureau, concerned with finding ways of best promoting Britain's interests. He was in good company, as others who contributed to this effort included Conan Doyle, John Masefield, G. K. Chesterton, Sir Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells. Bernard Shaw knew nothing of the Bureau, but attacked what he believed to be jingoistic articles and poems being produced by British writers. Bennett was the one chosen to defend their actions. He served on a War Memorial Committee at the invitation of the then Minister of Information, Lord Beaverbrook, and was also appointed director of British propaganda in France. His spells in Paris added to his reputation as a man of cosmopolitan and discerning tastes. After the War he inevitably returned to writing novels and also became a director of the New Statesman . Bennett s great reputation is built upon the success of his novels and short stories set in the Potteries, an area of north Staffordshire that he recreated as the Five Towns . Anna of the Five Towns and The Old Wives Tale show the influence of Flaubert, Maupassant and Balzac as Bennett describes provincial life in great detail. Arnold Bennett is an important link between the English novel and European realism. He wrote several plays and lighter works such as The Grand Babylon Hotel and The Card . Arnold Bennett died in 1931.