Luisa Del Giudice

Dracula & Frankenstein Luisa Del Giudice

Marc Notes: Two classic tales of terror together in one volume--Cover. Contributor Bio:  del Giudice, Luisa Del Giudice is director of the Italian Oral History Institute, visiting professor of Italian folklife at UCLA, and president of the International Kommission fur Volksdichtung of the Societe Internationale d'Ethnologie et Folklore. Contributor Bio:  Stoker, Bram Abraham (Bram) Stoker was an Irish writer, best known for his Gothic classic Dracula, which continues to influence horror writers and fans more than 100 years after it was first published. Educated at Trinity College, Dublin, in science, mathematics, oratory, history, and composition, Stoker' s writing was greatly influenced by his father' s interest in theatre and his mother' s gruesome stories about her childhood during the cholera epidemic in 1832. Although a published author of the novels Dracula, The Lady of the Shroud, and The Lair of the White Worm, and his work as part of the literary staff of The London Daily Telegraph, Stoker made his living as the personal assistant of actor Henry Irving and the business manager of the Lyceum Theatre in London. Stoker died in 1912, leaving behind one of the most memorable horror characters ever created. Contributor Bio:  Shelley, Mary Mary Shelley (1797-1851), the only daughter of writers William Godwin and Mary Wollstonecraft, and wife of Percy Bysshe Shelley, is the critically acclaimed author of Frankenstein, Valperga, and The Last Man, in addition to many other works. Mary Shelley's writings reflect and were influenced by a number of literary traditions including Gothic and Romantic ideals, and Frankenstein is widely regarded as the first modern work of science fiction. Today's scholarship of Mary Shelley's writings reveal her to be a political radical, as demonstrated though recurring themes of cooperation and sympathy, particularly among women, in her work, which are in direct conflict with the individual Romantic ideals of the eighteenth and nineteenth centuries.