Indialucia

Indialu Indialucia

Tracks:

1. "Raag 'n' Olé" 5'22''

(rumba)

2. "Nagpur" 4'08''

(sevillanas/dhun)

3. "Herencia Hindú" 6'42''

(solea por bulerias)

4. "Taliquete" 3'26''

(jaleo)

5. "Mohabbat Ka Khazana" 5'16''

(tangos/qawwali)

6. "Gujari Todi" 8'05''

(raga)

7. "Kyabathe" 6'37''

(bulerias)

8. "Indialucía" 2'15''

(intro)

9. "Indialucía" 5'15''

(zambra)

10. "Amanecer" 2'53''

(martinete)

Miguel CZACHOWSKI - flamenco guitars, palmas, percussion, arrangements

Avaneendra SHEOLIKAR - sitar

Sandesh POPATKAR - tabla

Prasad KHAPARDE - vocal

Pierluca PINEROLI - cajón, tabla, sabar, caxixi, triangle, konnakol, choirs

Domingo PATRICIO - flute

Giridhar UDUPA - ghatam, morsing, konnakol

Maria POMIANOWSKA - sarangi

Carlos TROYA - zapateado, jaleo

Sagar JAREL - dholak

Yrvis MENDEZ - fretless bass

Tomasz PALA - piano

Adam G£OŒNICKI - bass

Ireneusz WYROBEK - palmas

Barbara CZACHOWSKA - choirs

Members of "AUKSO" Chamber Orchestra: Marta HUGET-SKIBA - violin, Natalia WALAWSKA - violin, Anna GRZYBA£A - viola, Aleksandra STECZEK - cello

Around the Ninth Century, for some unknown reasons, thousands of inhabitants of the north-western part of India began to emigrate west. They set out from the territories presently occupied by the Punjab and Pakistan. In Persia they split, and one part went via Palestine, Egypt, Libya, Tunisia, Morocco and through the Gibraltar Strait, finally arriving, already known as Gypsies, in the south of Moorish Spain. In this region, known as Al-Andalus, various cultures co-existed for hundreds of years. It was the only place where Gypsies, Jews, Catholic's and Muslims lived together for a long time. Each group had its own customs, music and instruments. After many years, in the beginning of the 19th Century, due to mutual influences and the mingling of all these elements, a mysterious and expressive type of music emerged. Today we know it as Flamenco.