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The Horror Genre – From Beelzebu...
(2001)
Paul Wells
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Reading Hollywood
(2001)
Deborah Thomas
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The Star System
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Paul Mcdonald
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Science Fiction Cinema
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Geoff King
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Mise–en–scene – Film Style and I...
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John Gibbs
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The Western Genre
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John Saunders
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New Chinese Cinema
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Sheila Cornelius
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Psychoanalysis and Cinema
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Vicky Lebeau
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Animation
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Paul Wells
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The Cinema of Wim Wenders
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Alexander Graf
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The Cinema of Wim Wenders
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Alexander Graf
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The Cinema of Ken Loach
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Jacob Leigh
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The Cinema of Ken Loach
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Jacob Leigh
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Film Comedy
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Geoff King
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Introduction to Documentary Prod...
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Searle Kochberg
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The Cinema of Kathryn Bigelow
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Deborah Jermun
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The Cinema of Kathryn Bigelow
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Deborah Jermun
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Production Design - Shortcuts
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Jane Barnwell
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Avant–Garde Film – Forms, Themes...
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Michael O'pray
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Early Cinema
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Simon Popple
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Kung Fu Cult Masters - mersion: ...
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Leon Hunt
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East–West Encounters - mersion: ...
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Sylvie Blum–reid
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The Cinema of Nanni Moretti
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Ewa Mazierska
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The Cinema of Latin America
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Alberto Elena
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The Cinema of David Lynch
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Erica Sheen
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The Cinema of Krzysztof Kieslowski
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Marek Haltof
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Alternative Europe
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Ernest Mathijs
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The Cinema of Italy
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Giorgio Bertellini
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Melodrama – Genre, Style, Sensib...
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John Mercer
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Feminist Film Studies - Writing ...
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Janet Mccabe
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Reality TV – Realism and Revelation
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Anita Biressi
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Moving Image Technology – from Z...
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Leo Enticknap
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The Trouble with Men - Masculini...
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Phil Powrie
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The Cinema of John Carpenter
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Ian Conrich
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The Cinema of Central Europe
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Peter A. Hames
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New Digital Cinema - Reinventing...
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Holly Willis
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The Red and the White – The Cine...
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Paul Coates
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The Blade Runner Experience - Th...
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Will Brooker
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The Musical – Race, Gender, and ...
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Susan Smith
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The Czechoslovak New Wave
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Peter Hames
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Italian Neorealism
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Mark Shiel
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Teen Movies - American Youth on ...
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Timothy Shary
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Film Noir – From Berlin to Sin City
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Mark Bould
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War Cinema - Hollywood on the Fr...
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Guy Westwell
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Documentary - The Margins of Rea...
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Paul Ward
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Remapping World Cinema – Identit...
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Stephanie Dennison
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Feminist Auteurs – Reading Women...
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Geetha Ramanthan
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Films of Fact – British Cinema a...
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Lester Friedman
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Sex and the Cinema
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Tanya Krzywinska
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Film Genre – From Iconography to...
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Barry Keith Grant
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Filmosophy - Film and Media Studies
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Daniel Frampton
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The Unsilvered Screen – Surreali...
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Graeme Harper
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The Cinema of Steven Spielberg
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Nigel Morris
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The Cinema of Steven Spielberg
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Nigel Morris
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Romantic Comedy – Boy Meets Girl...
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Tamar Mcdonald
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2 Revised edition
Disaster Movies – The Cinema of ...
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Stephen Keane
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The Cinema of North Africa and t...
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Gonul Donmez–colin
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The French New Wave – A New Look
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Naomi Greene
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Crime Films – Investigating the ...
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Kirstin Thompson
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The Cinema of Werner Herzog
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Brad Prager
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The Cinema of Lars von Trier
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Caroline Bainbridge
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The Cinema of Jan Svankmajer 2e
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Peter Hames
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This is Spinal Tap
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Ethan De Seife
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The Rocky Horror Picture Show
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Jeffrey Weinstock
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Donnie Darko
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Geoff King
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German Expressionist Cinema – Th...
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Ian Roberts
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Widescreen – Watching Real Peopl...
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Mark Cousines
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The Cinema of David Cronenberg
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Ernest Mathijs
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Film and Philosophu – Taking Mov...
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Daniel Shaw
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Screeenwriting - History, Theory...
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Steven Maras
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Cinephilia in the Age of Digital...
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Scott Balcerzak
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Superstar – The Karen Carpenter ...
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Glyn Davis
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The Personal Camera – The Subjec...
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Laura Rascoroli
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Fantasy Cinema – Impossible Worl...
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David Butler
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Film Authorship - Auteurs and Ot...
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C. Sellors
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New Korean Cinema – Breaking the...
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Darcy Paquet
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The Cinema of Michael Haneke
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Ben Mccann
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The Evil Dead
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Kate Egan
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